An Authoritative Text, Backgrounds and Sources, Criticism A Norton Critical Edition
Paperback, 413 pages
English language
Published July 15, 2001 by W. W. Norton & Company.
A perennial favorite in the Norton Critical Editions series, Pride and Prejudice is based on the 1813 first edition text, which has been thoroughly annotated for undergraduate readers. "Backgrounds and Sources" includes biographical portraits of Austen by members of her family and by acclaimed biographers Claire Tomalin and David Nokes. Seventeen of Austen's letters - eight of them new to the Third Edition - allow readers to glimpse the close-knit society that was Austen's world, both in life and in her writing. Samples of Austen's early writing - from the epistolary Love and Friendship and A Collection of Letters allow readers to trace her growth as a writer as well as to read her fiction comparatively. "Criticism" features eighteen assessments of the novel by nineteenth- and twentieth-century commentators, six of them new to the Third Edition. Among them is an interview with Colin Firth on the recent BBC television adaptation …
A perennial favorite in the Norton Critical Editions series, Pride and Prejudice is based on the 1813 first edition text, which has been thoroughly annotated for undergraduate readers. "Backgrounds and Sources" includes biographical portraits of Austen by members of her family and by acclaimed biographers Claire Tomalin and David Nokes. Seventeen of Austen's letters - eight of them new to the Third Edition - allow readers to glimpse the close-knit society that was Austen's world, both in life and in her writing. Samples of Austen's early writing - from the epistolary Love and Friendship and A Collection of Letters allow readers to trace her growth as a writer as well as to read her fiction comparatively. "Criticism" features eighteen assessments of the novel by nineteenth- and twentieth-century commentators, six of them new to the Third Edition. Among them is an interview with Colin Firth on the recent BBC television adaptation of the novel. Also included are pieces by Richard Whately, Margaret Oliphant, Richard Simpson, D. W. Harding, Dorothy Van Ghent, Alistair Duckworth, Stuart Tave, Marilyn Butler, Nina Auerbach, Susan Morgan, Claudia L. Johnson, Susan Fraiman, Deborah Kaplan, Tara Goshal Wallace, Cheryl L. Nixon, David Spring, Edward Ahearn, and Donald Gray. Also included are a Note on Money, a Chronology of Austen's life and an updated Selected Bibliography. --Back cover
I expected something deeper/monumental, having known nothing about the book before. But for such an old book it is well written and the characters and love story are cute ☺️
Pride And Prejudice is a difficult novel for me to review because, although this was my first reading of Austen's work, I have already encountered its essential storyline in televised adaptations and numerous other novels so I felt as though I was revisiting the book rather than coming to it fresh. I enjoyed the humour, especially Austen's partly-veiled observations on the predicament of women rendered useless without a husband and, of course, her wonderful characters. Austen had such a talent for observation and for just exaggerating foibles enough to make people such as Mrs Bennet and Lady Catherine ridiculous, but not unbelievable. Personally I wasn't convinced by Darcy's complete change of behaviour mid-book, but both he and Elizabeth have wonderfully sparkling conversations and spats with the great energy fairly leaping from the page. The repression of their social situation contrasts brilliantly with the obvious strength of their emotional attraction to …
Pride And Prejudice is a difficult novel for me to review because, although this was my first reading of Austen's work, I have already encountered its essential storyline in televised adaptations and numerous other novels so I felt as though I was revisiting the book rather than coming to it fresh. I enjoyed the humour, especially Austen's partly-veiled observations on the predicament of women rendered useless without a husband and, of course, her wonderful characters. Austen had such a talent for observation and for just exaggerating foibles enough to make people such as Mrs Bennet and Lady Catherine ridiculous, but not unbelievable. Personally I wasn't convinced by Darcy's complete change of behaviour mid-book, but both he and Elizabeth have wonderfully sparkling conversations and spats with the great energy fairly leaping from the page. The repression of their social situation contrasts brilliantly with the obvious strength of their emotional attraction to each other.
I was interested to learn from Ian Littlewood's introduction that Pride And Prejudice was pretty much an overnight success upon its publication, but that it took some sixteen years and at least one drastic rewrite to get to that stage. The book was refused on its first submission in the late 1700s, even though Austen would have paid for the printing herself! An example to authors everywhere of the importance of not giving up!
