with an introduction and contemporary criticism Ignatius Critical Editions
Paperback, 417 pages
English language
Published 2008 by Ignatius Press.
Jane Austen is arguably the finest female novelist who ever lived and Pride and Prejudice is arguably the finest, and is certainly the most popular, of her novels. An undoubted classic of world literature, its profound Christian morality is all too often missed or wilfully overlooked by today's (post)modern critics. Yet Austen saw the follies and foibles of human nature, and the frictions and fidelities of family life, with an incisive eye that penetrates to the very heart of the human condition. This edition of Austen's masterpiece includes an introduction by Professor Christopher Blum and several insightful critical essays by leading Austen scholars.
The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of …
Jane Austen is arguably the finest female novelist who ever lived and Pride and Prejudice is arguably the finest, and is certainly the most popular, of her novels. An undoubted classic of world literature, its profound Christian morality is all too often missed or wilfully overlooked by today's (post)modern critics. Yet Austen saw the follies and foibles of human nature, and the frictions and fidelities of family life, with an incisive eye that penetrates to the very heart of the human condition. This edition of Austen's masterpiece includes an introduction by Professor Christopher Blum and several insightful critical essays by leading Austen scholars.
The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year. --https://www.ignatius.com/IProducts/23903/pride-and-prejudice.aspx
I expected something deeper/monumental, having known nothing about the book before. But for such an old book it is well written and the characters and love story are cute ☺️
Pride And Prejudice is a difficult novel for me to review because, although this was my first reading of Austen's work, I have already encountered its essential storyline in televised adaptations and numerous other novels so I felt as though I was revisiting the book rather than coming to it fresh. I enjoyed the humour, especially Austen's partly-veiled observations on the predicament of women rendered useless without a husband and, of course, her wonderful characters. Austen had such a talent for observation and for just exaggerating foibles enough to make people such as Mrs Bennet and Lady Catherine ridiculous, but not unbelievable. Personally I wasn't convinced by Darcy's complete change of behaviour mid-book, but both he and Elizabeth have wonderfully sparkling conversations and spats with the great energy fairly leaping from the page. The repression of their social situation contrasts brilliantly with the obvious strength of their emotional attraction to …
Pride And Prejudice is a difficult novel for me to review because, although this was my first reading of Austen's work, I have already encountered its essential storyline in televised adaptations and numerous other novels so I felt as though I was revisiting the book rather than coming to it fresh. I enjoyed the humour, especially Austen's partly-veiled observations on the predicament of women rendered useless without a husband and, of course, her wonderful characters. Austen had such a talent for observation and for just exaggerating foibles enough to make people such as Mrs Bennet and Lady Catherine ridiculous, but not unbelievable. Personally I wasn't convinced by Darcy's complete change of behaviour mid-book, but both he and Elizabeth have wonderfully sparkling conversations and spats with the great energy fairly leaping from the page. The repression of their social situation contrasts brilliantly with the obvious strength of their emotional attraction to each other.
I was interested to learn from Ian Littlewood's introduction that Pride And Prejudice was pretty much an overnight success upon its publication, but that it took some sixteen years and at least one drastic rewrite to get to that stage. The book was refused on its first submission in the late 1700s, even though Austen would have paid for the printing herself! An example to authors everywhere of the importance of not giving up!
