THE CITY OF BRASS [Paperback] S. A. Chakraborty

No cover — S. A. Chakraborty: THE CITY OF BRASS [Paperback] S. A. Chakraborty (Paperback, 2018, Harper Voyager)

Paperback

Published Oct. 4, 2018 by Harper Voyager.

ISBN:: 978-0-00-830189-7

(1 review)

"Step into The City of Brass, the spellbinding debut from S. A. Chakraborty--an imaginative alchemy of The Golem and the Jinni, The Grace of Kings, and Uprooted, in which the future of a magical Middle Eastern kingdom rests in the hands of a clever and defiant young con artist with miraculous healing gifts. Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by--palm readings, zars, healings--are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles and a reliable way to survive. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she's forced to question all she believes. For the warrior tells her an extraordinary …

"Step into The City of Brass, the spellbinding debut from S. A. Chakraborty--an imaginative alchemy of The Golem and the Jinni, The Grace of Kings, and Uprooted, in which the future of a magical Middle Eastern kingdom rests in the hands of a clever and defiant young con artist with miraculous healing gifts. Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by--palm readings, zars, healings--are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles and a reliable way to survive. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she's forced to question all she believes. For the warrior tells her an extraordinary tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling birds of prey are not what they seem, lies Daevabad, the legendary city of brass--a city to which Nahri is irrevocably bound. In Daevabad, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. A young prince dreams of rebellion. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say to be careful what you wish for"--

"A brilliantly imagined historical fantasy in which a young con artist in eighteenth century Cairo discovers she's the last descendant of a powerful family of djinn healers. With the help of an outcast immortal warrior and a rebellious prince, she must claim her magical birthright in order to prevent a war that threatens to destroy the entire djinn kingdom. Perfect for fans of The Grace of Kings, The Golem and the Jinni, and The Queen of the Tearling"--

10 editions

screamsbeneath reviewed The City of Brass by S. A. Chakraborty (The Deavabad Trilogy, #1)

Review of the Whole Series

5 stars

Having finished the series, I felt I was time to add a review. On the occasion I find myself interested in someone's take on an entire series before I commit, I'm often disappointed to not find a condensed review, so I though I'd try and provide that in the hope it helps someone.

I came to the series wanting more from the author, having finished The Adventures of Amina al-Sirafi. I was drawn to the strong female and queer representation in a time and place where this is uncommon.

This series was a rollercoaster, I went from hating it to loving it almost as much as I cycled between those feelings for every main character. It took me a long time to realize how masterful the writing was to be able to add such nuance to the characters, their flaws and virtues filling a vessel that is far more than …

Having finished the series, I felt I was time to add a review. On the occasion I find myself interested in someone's take on an entire series before I commit, I'm often disappointed to not find a condensed review, so I though I'd try and provide that in the hope it helps someone.

I came to the series wanting more from the author, having finished The Adventures of Amina al-Sirafi. I was drawn to the strong female and queer representation in a time and place where this is uncommon.

This series was a rollercoaster, I went from hating it to loving it almost as much as I cycled between those feelings for every main character. It took me a long time to realize how masterful the writing was to be able to add such nuance to the characters, their flaws and virtues filling a vessel that is far more than the sum of its parts. It takes a complex web of political intrigue and injects compassion into the brutal reality and it brings light to those that suffer most from the squabbles of the powerful. There is no true villain or hero to this story, just people on various stages of their life's path, trying to dig themselves out from the oppressive weight of their positions, the social expectations, and their ancestral legacy.

The pacing was questionable based on my own preferences at times, yet with the context of the whole I think it was satisfying. The lulls served as vignettes to deepen and enrich the characters and the world. It provided a sense of place that would have been lost in a high octane page turner. Even the companion stories in the fourth book add significant depth, though many of them are skippable if the main books weren't a hit for you. The main exceptions being by the alternate prologue and last story of the collection, which I vastly preferred over the prologue in the final book.

I recommend the whole series to those that like fantasy mixed with political intrigue, especially with a strong female voice.