[email protected] reviewed Sharp Objects by Gillian Flynn
I couldn't
The meat packing plant scenery made this unreadable for me.
Paperback, 272 pages
English language
Published Oct. 10, 2012 by Broadway Books.
WICKED above her hipbone, GIRL across her heart.
Words are like a road map to reporter Camille Preaker's troubled past. Fresh from a brief stay at a psych hospital, Camille's first assignment from the second-rate daily paper where she works brings her reluctantly back to her hometown to cover the murders of two preteen girls.
NASTY on her kneecap, BABYDOLL on her leg
Since she left town eight years ago, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed again in her family's Victorian mansion, Camille is haunted by the childhood tragedy she has spent her whole life trying to cut from her memory.
HARMFUL on her wrist, WHORE on her ankle
As Camille works to uncover the truth about these violent crimes, she finds herself identifying with the young victims …
WICKED above her hipbone, GIRL across her heart.
Words are like a road map to reporter Camille Preaker's troubled past. Fresh from a brief stay at a psych hospital, Camille's first assignment from the second-rate daily paper where she works brings her reluctantly back to her hometown to cover the murders of two preteen girls.
NASTY on her kneecap, BABYDOLL on her leg
Since she left town eight years ago, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed again in her family's Victorian mansion, Camille is haunted by the childhood tragedy she has spent her whole life trying to cut from her memory.
HARMFUL on her wrist, WHORE on her ankle
As Camille works to uncover the truth about these violent crimes, she finds herself identifying with the young victims — a bit too strongly.
Clues keep leading to dead ends, forcing Camille to unravel the psychological puzzle of her own past to get at the story. Dogged by her own demons, Camille will have to confront what happened to her years before if she wants to survive this homecoming.
With its taut, crafted writing, “Sharp Objects” is addictive, haunting, and unforgettable.
The meat packing plant scenery made this unreadable for me.
Recently going to see Gone Girl at the cinema reminded me that I still had Sharp Objects languishing unread on our Kindle. It's the third Gillian Flynn novel I have read but apparently the first she wrote. The storyline here is definitely not for the fainthearted and at points I felt quite queasy reading it. The central theme of two girls in a small town in Missouri being murdered is obviously horrific, but having read several crime thrillers over the years, I have pretty much become immune to the emotional pull of murdered young fictional women and girls. It feels bizarre writing that but so many novels start with such a death that it is almost a prerequisite. Where Sharp Objects differs is that our viewpoint into the story comes via Camille, a journalist sent back to cover the story unfolding in her hometown. Camille not only has self harmed …
Recently going to see Gone Girl at the cinema reminded me that I still had Sharp Objects languishing unread on our Kindle. It's the third Gillian Flynn novel I have read but apparently the first she wrote. The storyline here is definitely not for the fainthearted and at points I felt quite queasy reading it. The central theme of two girls in a small town in Missouri being murdered is obviously horrific, but having read several crime thrillers over the years, I have pretty much become immune to the emotional pull of murdered young fictional women and girls. It feels bizarre writing that but so many novels start with such a death that it is almost a prerequisite. Where Sharp Objects differs is that our viewpoint into the story comes via Camille, a journalist sent back to cover the story unfolding in her hometown. Camille not only has self harmed and in plenty of detail, but leads us into the bosom of her cold, dysfunctional family as she tries to come to terms with her personal past and the death of her younger sister. The relationships within her home and trailing our across the town are cleverly included in the story, explaining why she is as she is. I don't think Sharp Objects is as good a story as Gone Girl and it doesn't have the former's intensity, but I appreciate that they both have unusual central female characters who are damaged and bizarre, yet memorable and definitely never stereotypical.
This was Flynn's first novel & I enjoyed the slow burn of the mystery of the killer...and the circling dread as reporter Camille finds herself revisiting a traumatic past. The conclusion was rapid but satisfying.