Stephanie Jane reviewed Igifu by Scholastique Mukasonga
Rwandan short stories
5 stars
Having been moved by Scholastique Mukasonga's memoir of her childhood, The Barefoot Woman, which I read a couple of years ago, I jumped at the chance to read and review this new English translation of her short story collection, Igifu. Igifu translates as 'hunger' and is the title of the first story, a disturbingly powerful account of a five year old girl slowly starving to death. It is heart-rending to read, yet so beautifully written and I was reminded of how I felt reading Jack London's classic tale, To Build A Fire.
Igifu, the book, is a collection of five short stories, each of which took me deeply into aspects of Rwandan life pre- and post-genocide. Mukasonga vividly illustrates the daily lives of Tutsi people who lived under extreme circumstances, displaced and intimidated, for years before the genocide violence finally erupted, and the stories Fear and Grief powerfully convey their …
Having been moved by Scholastique Mukasonga's memoir of her childhood, The Barefoot Woman, which I read a couple of years ago, I jumped at the chance to read and review this new English translation of her short story collection, Igifu. Igifu translates as 'hunger' and is the title of the first story, a disturbingly powerful account of a five year old girl slowly starving to death. It is heart-rending to read, yet so beautifully written and I was reminded of how I felt reading Jack London's classic tale, To Build A Fire.
Igifu, the book, is a collection of five short stories, each of which took me deeply into aspects of Rwandan life pre- and post-genocide. Mukasonga vividly illustrates the daily lives of Tutsi people who lived under extreme circumstances, displaced and intimidated, for years before the genocide violence finally erupted, and the stories Fear and Grief powerfully convey their eponymous emotions. The Glorious Cow describes the aching void left in a community by the loss of their prized cattle herds around which their lives had formerly revolved. And in The Curse Of Beauty, possibly my favourite of the stories although I thought each of the five equally maintained Mukasonga's high standards, we follow the life of Helena who is feted yet also excluded, purely because of her physical appearance.
Igifu isn't an easy read, but I loved every minute I spent engrossed in these stories and am very grateful to Archipelago Press for this opportunity to read Mukasonga's work in translation as I know my own French isn't up to capturing all the detail and nuances of this masterful prose.